My second post, based on my podcasts, is up on BioLogos: God and Creation: Immanence.
Month: May 2011
Here is a fully arranged version of “I Am a Poor Wayfaring Stranger.” Also included below are my solo acoustic demo, a Sacred Harp shape note version from the Berea archive, and a video of a version by Jack White.
"God and Creation" on BioLogos
Some of my short essays on “God and Creation” are being posted at BioLogos. For those who might be interested, these essays are also available in podcast format.
Another great post from Daniel Kirk on differences between the Church’s Jesus and the Academy’s Jesus:
so long our Jesus is circumscribed by the academy we will not be able to say the most important things there are to say about Jesus: (1) that God was at work in this man, testifying to him by signs and wonders (Acts 2); (2) that this crucified claimant to Israel’s throne is, in fact, resurrected and bodily standing in the presence of God the Father; and (3) that this crucified one is now the Lord over all things.
That Jesus–one in whom God is at work, one who rules the world, can never be the academy’s Jesus. The Jesus who is worth studying can never be the object of academic affirmation as such.
For all my celebration of the ways that academic study of the Bible has made us better readers of scripture and shed light on the text that reading and responding in faith on its own could never do, it is in fact the reading and responding in faith that makes one a faithful reader of the texts that we actually have.
More Music: Groovie
Something I dug up on my hard drive that I’d forgotten about. A draft of a hard fusion sort of thing. I might have posted a version of it a while back but it’s kind of fun.
Here’s another tune from the Berea Archive: “I Am a Poor Wayfaring Stranger.” This is a well-known negro or Appalachian spiritual from the late 1700’s, made famous in modern times by Burl Ives. The Berea recording is from the Sacred Harp shape note book, sung by the Berea shape note singers.
I just love these evocative lyrics and the sad minor melody. I wonder how many people have sung this from places of deep trouble over the centuries?
After the Berea recording, I include a rough guide track that I recorded this afternoon. It’s just me an an acoustic guitar, playing and singing into a microphone. It’s awfully rough, but I kind of like it as a stand-alone track, even though my vocals need work. Hopefully I can do a fuller arrangement soon.
Awesome crowd-sourced project.
Daniel Kirk offers his “confessional” on theological interpretation. It’s a great post, which I’m reproducing below. I do have some nuances and questions — you can see my comments along with some other good discussion on Daniel’s blog. (BTW, some readers may wonder why anyone would feel the need to “confess” to being a “theological interpreter” of the Bible. Among serious professional academic Biblical scholars, this is indeed a controversial confession: in the guild, there is a presumption that exegesis should be “neutral” and “scientific.” How this relates to interpreters who take the text as in some way religiously normative has been a matter of acrimonious debate recently among members of the Society of Biblical Literature. But Daniel is also dealing with the other side of the coin — how people who take the Bible as a religious authority can do so in a post-critical setting.)
Confession is good for the soul.
I confess, here just between you and me, that I am a theological interpreter of the Bible.
This is why I named my blog “Storied Theology,” in fact–because I believe deeply that theology is important (there’s the “theology” part).
But also because I am convinced that there are better ways to conceive of the theological task than traditional systematic, confessional, and dogmatic theology. There is a theology that trades in the diachronic and polyvalent nature of scripture itself, and that continues to embrace such inevitable change and diversity as the church itself continues to speak over time.
I am, at times, critical of things that are going on in the “Theological Interpretation” circles of the biblical studies academy. Why? What are those criticisms?
Two issues stand out:
First, there is a tendency among some of the theologians involved in the movement, especially, to use theological readings of scripture as a way to bypass critical issues. I am all for theological interpretation being post-critical (where historical criticism in its modernistic forms does not get the last word), but it cannot go back to being pre-critical.
Thus, for example, we cannot simply say, “God is the author of scripture, so Isa 7 was speaking of a coming, virgin-born Messiah all along,” without also acknowledging that for Isaiah and any audience before the first century that this coming virgin-born Messiah was manifestly not in view.
There is a critical issue that can’t be gotten around, even if we then go on to give a second reading that embraces the Christological telos of the biblical narrative.
Second, I am at times grumpy about “the Rule of Faith.”
From the above, you can see that this does not mean that I am against Christian readings of scripture; and I am not even against a Christian hermeneutic for reading pre-Christ material (in fact, I think that this is necessary).
What makes me nervous, and where I think Christian reading of the Bible has not been helpful in its pre-critical manifestations, is where the Rule of Faith, embodied in the Creeds and Confessions of the church, become the hermeneutic by which our Christian readings are done.
Thus, a Rule of Faith “hermeneutic” might always be approaching Jesus in the New Testament as fully God and fully human, wrestling with how this God-man helps us make sense of the story of Mark. Jesus as God-man might become a way to understand how Jesus can forgive sins, walk on water, or feed 5,000 in the desert.
The idea that we use the rule as a hermeneutical lens has a rich history. But in a post-critical, post-modern environment it cannot be the whole story and often, we must acknowledge now, keeps us from recognizing a better one.
A first reading of Mark should recognize that its Christology is not John’s logos Christology. It may very well be that Jesus here is not depicted as pre-existent at all. We have to wrestle with the fact that neither “Christ” nor “Lord” means “divine” in an early Jewish context, whatever their subsequent connotations in Christian theology.
But such a claim that Mark develops a theology of a human messiah also does not contradict the faith of the church, which always maintains against Gnostic tendencies that Jesus is truly human. It falls within the trajectories set by the church’s Faith without using that Faith as a hermeneutic to transform the meaning of the story or Jesus’ identity within it.
The theology I am for is a theology that takes the Bible seriously–and that Bible as we know it is, in part, the Bible as critical scholarship has opened our eyes to it. And what it means for me to be a Christian is to continue to build theology for the church trusting that this Bible we actually have is, in fact, the Bible that God wants us to have.
While resisting the pre-critical moves that I do not think we can make anymore because we are more aware of issues of theological diversity and the like, I continue to affirm that the God who created the world is the God who has acted in the death and resurrection of Jesus and through the Spirit in the church. I continue to affirm that we know all this only through the Bible which is the record of and witness to, the revelation of God to humanity.
Because the story keeps pointing in these directions, I can continue to say with the church of all times, “I believe in God the Father almighty, maker of Heaven and Earth, and in Jesus Christ his only son…”
I do theological interpretation because I am convinced that the Bible, a theological construct in its own right, continues to tell us what the church’s story is.
Here is a new song I’ve recorded. Actually, it’s an old Appalachian gospel song. I found a great digital library of Applachian folk music at Berea College, and I’m doing some new arrangements of public domain songs. Included below is my new arrangement and the recording from Berea’s archives.
Why Study Systematic Theology?
A video from the University of Nottingham, featuring Karen Kilby. Putting aside that these folks look like systematic theologians, I love Kilby’s description of what systematic theology is and why we study it: “a theologian is one who prays and stumbles in their prayer, and starts to think about their stumbling.”